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攝影、複合媒材：燈箱膠片、LED燈、鐵片、玻璃、木頭，2012 | 裝製場景請點 這裡 |
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 Clamor echoes the basic premise and techniques of the SING series. Only the burning hot sun accompanies the viewer in the dry and uninhabited desert. What at first looks like an empty void, soon reveals several lonely and alienated objects, and even a whole abandoned city. Though the ambiance is stagnant and quiet, the blazing heat gives hints of a violent past. Pre-production of this work is complete, however, due to financial and logistic difficulties, the silk print is incomplete. 《噪》 以類似《唱》的表現方式與想法呈現《噪》。遊盪在荒蕪無聲的沙漠，炎陽像利刃一刀斬下， 時而發現不屬於此地的物件，以及在沙漠中廢棄的城市。即便處在靜謐無聲的熾烈環境，惱人的烈日如同一整批軍隊鳴鼓大噪撲復而來。 此件作品的前製工作已完成，後製絹版部份係因金費問題尚未印製。 |
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 Sing (no.1) | Silkscreen | 100 x 62.5 cm |
Sing (no.2) | Silkscreen | 100 x 91 cm |
 Sing (no.3) | Silkscreen | 100 x 62.5 cm SING is a series of photo works that portrays the melancholic and beautiful remains of human civilization. We see an abandoned gas station, broken stairs, and the dried-out carcasses of palm trees that were once living examples of someone's ingenuity in the desert. Even though these photo objects lie in the middle of nowhere, each has its own history. Each object was once a living thing, but now they linger as historical leftovers, unnoticed by travellers and passersby. By focusing on these historical remainders, the SING series is designed to inspire the viewer's narrative imagination. The silkscreen process was chosen as a warmer and nostalgic alternative to the artificiality and coldness of digital printing. Unlike the total control over digital printing results, the unpredictable textures generated by handmade silkscreen techniques, emphasizes the romantic and nostalgic quality of images. 係列攝影作品《唱》主要呈現文明殘骸碎片的優美與惆悵。影像中的物件：廢棄的加油站、刻意種植但乾枯逝去的棕櫚樹，以及斷裂的天梯，柱立在茫茫荒野中，雖然沒有生命但卻載乘著個體或周圍環境的歷史記憶。一個曾經存在的景像，如今只是過客旅人呼囂而過且毫不再意的殘存物。 《唱》企圖在影像與觀者之間產生開放性的詮釋與故事。 這件作品在材質的選擇上採用絹版，主要是去除數位化的冰冷質調，在畫面上都加一分的悵然與人性的質感。手工絹版的紋理與不可預測性，相對於可完全掌控的數位輸出，在材質選擇上更強化這件作品想表達的柔性動機。 |
Digital Color Print, 20" x 30", Photography, 10/2005 |
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Digital Color Print, Photography, 07/2004
47.25” x 47.25” of each, 7 pictures |
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Digital Color Print, 07/2004 15” x 20” of each, 3 pictures |
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BORDER《境》
